Shoes for the Moscow Circus is an atmospheric, lyrical
look behind the scenes of a number of Australian trades and industries,
many of which are fast disappearing in the modern world.
"I did not have three thousand pairs of shoes. I had one thousand and sixty."--Imelda Marcos In recent years shoes have become objects of fanatical devotion, as covetable designs have gained iconic status and shoe designers have become heroes of popular culture. From Christian Louboutin's signature red sole and the Manolo Blahnik heels that helped to define Sex and the City's Carrie Bradshaw to the eco-friendly footwear of the future, shoes are now a fashion statement all their own. Is there such a thing as a leading shoe fashion anymore? The silhouettes, colors, and details on the feet of models and in the pages of fashion magazines used to be the ultimate in style, but they no longer represent all fashion footwear any more than haute couture represents all fashionable clothing. Renowned fashion specialist Jonathan Walford recounts the fascinating history of more than 350 leading women's shoe designers and manufacturers who have shaped modern footwear over the last sixty years. A rich array of sketches, photographs, and advertisements highlight superlative craftsmanship and lasting trends. Featuring designs by Bally, Beverly Feldman, Camper, Charles Jourdan, Chie Mihara, Christian Louboutin, Ferragamo, Herman Delman, Jimmy Choo, Joan & David, Kenneth Cole, Manolo Blahnik, Maud Frizon, Roger Vivier, Rupert Sanderson, and Sergio Rossi.
From war-torn Sierra Leone to the US, to dancing for the Dutch National Ballet, this is a heartwrenching, life-affirming true story of a young girl orphaned by war and saved by ballet.
Land and Labor, 1866-1867 examines the remaking of the South's labor system in the tumultuous aftermath of emancipation. Using documents selected from the National Archives, this volume of Freedom: A Documentary History of Emancipation depicts the struggle of unenfranchised and impoverished ex-slaves to control their own labor, establish their families as viable economic units, and secure independent possession of land. Among the topics addressed are the dispossession of settlers in the Sherman reserve, the reordering of labor on plantation and farm, nonagricultural labor, new relations of credit and debt, long-distance labor migration, and the efforts of former slaves to rent, purchase, and homestead land. The documents--many of them in the freed people's own words--speak eloquently for themselves, while the editors' interpretive essays provide context and illuminate major themes.
"For #1 "New York Times" bestselling author Sue Grafton's PI Kinsey Milhone, danger comes with the job--but she never expects to find herself at the top of a hit man's list..."
G IS FOR GAME...
When Irene Gersh asks PI Kinsey Millhone to locate her elderly mother Agnes, whom she hasn't heard from in six months, it's not exactly the kind of case Kinsey jumps for. But a girl's gotta pay her bills, and this should be easy money--or so she thinks. Kinsey finds Agnes in a hospital. Aside from her occasional memory lapses, the octogenarian seems fine. And frightened.
G IS FOR GUN...
Kinsey doesn't know what to make of Agnes's vague fears and bizarre ramblings, but she's got her own worries. It seems Tyrone Patty, a criminal she helped put behind bars, is looking to make a hit. First, Kinsey's car is run off the road, and then days later, she's almost gunned down, setting in motion a harrowing cat and mouse game...
"G IS FOR "GUMSHOE
So Kinsey decides to hire a bodyguard. With PI Robert Dietz watching her 24/7, Kinsey is feeling on edge...especially with their growing sexual tension. Then, Agnes dies of an apparent homicide, Kinsey realizes the old lady wasn't so senile after all--and maybe she was trying to tell her something? Now Kinsey's determined to learn the truth...even if it kills her.
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